I SEE THE SUN

And a field that is neither magenta nor fire encompasses a scene in which distance and becoming limp and in it as if the representation of these two abstractions, phallus and cigarette, sounds like an ode to the onanist, which in their repetition of form, lead us to figuration and then to recognition, like the morning that brings light to our eyes, although, paradoxically, we know that it is exactly about our sexes that it never touches. It is as if all those Vestonic? sticks, there, also called Venus, here handed us their Callipygium, under two brush strokes turned moon, and a forest consecrated to some goddess presented us with the imminent presence of an after for a party of which not even the less we remember how we arrived at.

We are trapped in this Idaly, witnesses of a body whose sex is clear and firm, but whose identity is diluted perhaps in the aforementioned impossibility that the two abstractions it holds in its hands are one, perhaps because of a brute dimension of existence that encompasses such body, perhaps due to the increasing need that relationships postulate about it in terms of its representation. But the wait for the lustful sparrows does not cease.

I see the sun, and a field neither magenta nor fire encompasses a scene in which a sound like 1000w resounds a posthumous phrase by Nietzsche: … ”, and then it’s like morning again and then there’s only an abstraction.

Guilherme Teixeira

Glossary

– Onanist: One who practices masturbation incessantly;
– Vestonic?: Referring to Dolní Vestonic?, a village in the Czech Republic where several female representations called “Venus” were found by researchers;
– Callipygium: Referring to the beautiful buttocks; Callipygia Venus;
– Idaly: City in Cyprus, and also name of a hill, both known for their cults of Aphrodite worship; ‘Idaly’ comes from the Greek expression “I see the sun